The surrounding landscapes provided inspiration for Monet’s famous garden series, which continued until his death in 1926. Together with fellow artists Renoir, Bazille and Sisley, Monet explored the effects of painting en plein air, forming the basis of Impressionism.Īfter the death of his beloved wife Camille in 1879, Monet moved to Giverny. Monet’s aunt, whom he was living with at the time, agreed to support Monet’s exemption if he agreed to undertake an art course, so in 1862 he became a student of Charles Gleyre. After a year of service, Monet contracted typhoid fever and went absent without leave. His studies were interrupted when he was drafted into the First Regiment of the African Light Cavalry although his wealthy father had the opportunity to pay for Monet’s exemption from conscription, he refused to do so after Monet refused to give up painting. He took a different approach, preferring to sit at a window and paint what he saw. When travelling to Paris, Monet noticed other arts students copying pieces from the great masters. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA).Monet in front of his famed Water Lily series. Initially used to describe and deprecate a movement, the term Impressionism "was immediately taken up by all parties" to describe the style, and Monet’s Impression, Sunrise considered to encapsulate the start of the movement and its name. In turn, impression came to describe the movement as a whole. By the 1860s, "impression" was used by transference to describe a painting which relayed such an effect. In critic Louis Leroy's review of the 1874 exhibition, "The Exhibition of the Impressionists" for the newspaper Le Charivari, he used "Impressionism" to describe the new style of work displayed, which he said was typified by Monet’s painting of the same name.īefore the 1860s and the debut of Impression, Sunrise, the term "impressionism" was originally used to describe the effect of a natural scene on a painter, and the effect of a painting on the viewer. Both associated with the school, Daubigny and Manet had been known to use the term to describe their own works. It had been used for some time to describe the effect of paintings from the Barbizon school. While the title of the painting seemed to be chosen in haste for the catalogue, the term "Impressionism" was not new. Monet claimed that he titled the painting Impression, Sunrise due to his hazy painting style in his depiction of the subject: "They asked me for a title for the catalogue, it couldn't really be taken for a view of Le Havre, and I said: 'Put Impression.'" In addition to this explanation for the title of the work, art historian Paul Smith claims that Monet might have named the painting Impression to excuse his painting from accusations of being unfinished or lacking descriptive detail, but Monet received these criticisms regardless of the title. It was recovered and returned to the museum in 1990, and put back on display in 1991. In 1985 the painting was stolen from the Musée Marmottan Monet by Philippe Jamin and Youssef Khimoun. Inc." Among thirty participants, the exhibition was led by Monet, Edgar Degas, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley, and showed over two hundred works that were seen by about 4,000 people, including some rather unsympathetic critics. Impression, Sunrise became the most famous in the series after being debuted in April 1874 in Paris at an exhibition by the group "Painters, Sculptors, Engravers etc. The six painted canvases depict the port "during dawn, day, dusk, and dark and from varying viewpoints, some from the water itself and others from a hotel room looking down over the port". Monet visited his hometown of Le Havre in the Northwest of France in 1872 and proceeded to create a series of works depicting the port of Le Havre. Impression, Sunrise is displayed at the Musée Marmottan Monet in Paris. Impression, Sunrise depicts the port of Le Havre, Monet's hometown, and is his most famous painting of the harbor. Shown at what would later be known as the "Exhibition of the Impressionists" in April 1874, the painting is attributed to giving rise to the name of the Impressionist movement. Impression, Sunrise (French: Impression, soleil levant) is a painting by Claude Monet.
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